哈瓦尔登先生 Monsieur Hawarden

We need other people to define ourselves. And if these people think we are someone else we feel lost. Harry Kumel uses techniques from Griffith, the sober mise-en-scene from Carl Theodor Dreyer and the themes of Sternberg( whom he dedicates the film to) to tell this story. But he makes of all these different visions a very personal film. It is his first movie and he already sho...